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"Suleyman The Magnificent" (Soundtrack)

This soundtrack to a film directed by Suzanne Bauman, was a joint venture sponsored by the Metropolitan Museum Of Art, the National Gallery in Washington DC, the Art Institute of Chicago, and the Republic of Turkey to bring to the western world the art of the Ottoman Empire. This soundtrack also was the gateway to many subsequent projects, both for Brian Keane as a producer and for Faruk Tekbilek as a recording artist. When Brian was first asked to score this film, he turned to acclaimed record producer Arif Mardin (who originally came from Turkey, and whom Brian had done some session work for as a guitarist). At first, Arif didn't have any suggestions for musicians in this country, but later called back with a tip that his cooks went to a belly dancing club in the Hell's Kitchen area of New York called Fazil's. After several nights of listening to belly dance music (purely business, you understand), Brian heard Faruk Tekbilek, a Turkish/Egyptian multi-instrumentalist, play. Brian brought him to the studio and had him overdub a melody on a synthesizer bed for the film, a sound, at that point in time, that had never been done before. The magic was immediate and overwhelming. The very first take is the opening to the film "Suleyman the Magnificent", and eventually became the opening of the soundtrack CD as well. When the film aired on national television, it was watched, by chance, by record company executive Eckart Rahn and his wife, Ruby. Contacting the Metropolitan Museum, they made arrangements to put out the soundtrack on Eckart's label, Celestial Harmonies. The soundtrack went on to critical success, actually influencing the following year's soundtrack to "The Last Temptation Of Christ" (written by Peter Gabriel) and becoming the Echoes "Record Of The Year". The success of the soundtrack spawned the career of Faruk Tekbilek, who went on to record five more records with Brian on the Celestial Harmonies label before moving to the Hearts Of Space label. Brian went on to produce fourteen critically acclaimed CDs for Celestial Harmonies, which became a critical stepping stone to other record company relationships.

Track List:

1. Prelude In Rast Mode
2. The Story Of Suleyman
3. Prelude In Segah Mode
4. Scenes Of Istanbul
5. Seven Spheres Of Heaven
6. Modal Fantasy
7. Northern Village
8. Prelude In Hicaz Mode
9. Goat Jumper
10. Aegean Sailor
11. Whirling Dervishes
12. Improvisation In Hicaz Mode
13. Gates Of Heaven
14. Garden At Topkapi
15. Saint Sophia
16. Scenes Of Istanbul (Reprise)
17. Piece In 10/8

Release Date: September 26, 1990
Label: Celestial Harmonies

Reviews:
Amazon.com:
"World music with added synths. This was the soundtrack to an American TV documentary on the life of Sultan Suleyman who ruled the Ottoman Empire from 1520 to 1566. Some of the melodies are traditional, some specially composed, but all are played by notable Turkish virtuosi on instruments whose names mean rather less than the gorgeous sounds they produce when plucked, blown or walloped rhythmically. A music rich in its diversity of moods, tempos, rhythms and emotions, with synths added subtly by producer/composer Brian Keane, for atmosphere and orchestral timbre rather than melody. An unalloyed delight." --Johnny Black -- © Emap Consumer Magazines Limited. For personal use only.

The Tucson Citizen: "Embodying the historic sense of greatness and splendor... The artist: Brian Keane demonstrates excellence in a variety of musical endeavors. A virtuoso guitarist, he performs and records as a solo artist as well as with other musicians. Keane has three duo albums with Larry Coryell and has worked with Paco de Lucia, Michal Urbaniak, The Brubecks, Bobby McFerrin, and Jeff Berlin - to name a few. He has appeared at most of the major jazz festivals and has toured extensively throughout the world. Keane is at home on both sides of the recording process. He has produced several records and film scores including the soundtrack for the Academy Award nominated film, A Cuban Odyssey. An accomplished composer and arranger, he has collaborated with other talented writers and composed soundtracks for several award-winning films. These credits include the PBS film Cuba in the Shadow of Doubt (Golden Hugo and Chicago Film Festival Awards), and Women of Summer (American Film Festival, Ohio State Film Festival, and American Women in Radio & TV Awards). The project: SÜLEYMAN THE MAGNIFICENT is the soundtrack for the film of the same name which focuses on the life of the great Sultan of the Ottoman empire. Sultan Süleyman reigned from 1520-1566 and was renowned as a consummate reformer of law and administration. His was a golden age of art and architecture. Brian Keane's soundtrack embodies this historic sense of greatness and splendor. The music is at once exciting and profound. Keane has brilliantly scored traditional Turkish melodies and his own original melodies from a combination of authentic Turkish instruments. These instruments include the tanbur (long necked lute), daire (drum), kanun (plucked boxed zither), and kaval (rim-blown flute—a pastoral instrument associated with shepherds and nomads). The film aired on the PBS network and was a winner of the American Film Festival and the Ohio State Film Festival awards. It was produced in conjunction with the opening of an art exhibit at the National Gallery of Art in Washington, D.C. for which major funding for the film was provided by the Republic of Turkey.


 



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